Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Sunday, February 26, 2017

Elle (2016)



Elle

Finally was able to watch the final of the Oscar buzz films that I needed to see prior to the ceremony. Just in time too. While the film was dropped from the Best Foreign Film category after gaining traction, Isabelle Huppert can very well walk away with an Oscar for her performance in this film. Its a strong, outstanding performance from her for sure.I thought the film was mostly good and a return to a bit of form for Paul Verhoeven. Despite this, I still the think the film could have been better.
I am going to start with the negatives since they aren't many. The film is quite long and not always focused. The main plot is about a video game company executive named Michele who gets raped in her home. She tries to go about her life as if nothing happened but then finds herself drawn to the rape and the future instances, which really blurs the line between rape, consent, and submission to sexual desire. The film doesn't always stay focused on what it is at heart. Its honestly hard to pinpoint what the film is really about since there's a few points of focus. I felt the film doesn't have many likeable characters. And why would it? Its littered with characters who fall into a theme of philandering. I think the film introduces ideas of religion and the psychopathic nature of Elle's father; all of which was unnecessary.

The film is long and clouded by things that didn't exactly meaningfully add to the story. I wasn't really sure what the film was going to be about. That said, there's definitely a strong erotic basis for the film which is Verhoeven at his best. The film flirts with the idea of cheating, rape, and consent throughout. Its a pervasive film but its exactly what you would expect from the filmmaker. People will find this film to be disturbing and at times quite vulgar but it remains alluring and pretty hypnotic. As I stated earlier its a return to form for Verhoeven because he plays to his strengths by tackling a sexually charged film once again.

I know Isabelle Huppert isn't exactly a household name but she should be after this film. Its a magnetic performance. Michele is a bitch at times but very assertive and strong. She explores her sexual desires and boundaries and can handle her life in a very stone faced manner. She has a very complicated past and even mentions she may be a psychopath. Michele is a complex character: honest and at times scathing but its a wonderful portrayal. The film isn't perfect but I think film lovers need to check it out and form their own opinion on this.

7/10

Thursday, January 19, 2017

Hacksaw Ridge (2016)



Mel Gibson is a director who comes back every few years or so and just blows me away. In 2006, I was amazed by Apocalypto. I still watch that film from time to time because its so riveting, damning, and beautiful. When Hacksaw Ridge was announced I was excited. I tend to get very drawn into well made war films. I knew with Mel, I'd likely see and experience something that would be very worth the watch.

The film is about the real life story of Desmond T. Doss, an army medic who refused to hold a gun or fight the opposition during World War II in the Battle of Okinawa. His bravery, resolve, and willpower to save his fellow comrades makes for such an inspiring story, if projected successfully onto the screen. Andrew Garfield has had one hell of a year. To go from the lead in the atrocious Amazing Spider-Man films to starring in a Scorsese and Mel Gibson epic; its one hell of a leap. He's faultless in this. Doss is a kind hearted simple man whose passion is to help those who are in dire need of help. 

We are first subjected to young Doss growing up in a rather abusive household. We get to see how Doss had become a pacifist and how he met the love of his life. There is nothing with what is seen here. Its arguably slow, however its sweet and takes you back to a love story from WWII. Its good stuff. The film just keeps getting better from here. We then see Doss during training and how his lifestyle causes his infantry to turn on him in hate and disgust. He overcomes adversity and finally gets to the Battle of Okinawa. 

Let me just tell you that Mel Gibson is an excellent visionary when it comes to depicting visceral action. Its completely necessary to show how a war truly is. Nothing is held back. Blood comes from everywhere, limbs fly off, guts are hanging out, heads are being blown off. Its intense but phenomenally shot. You are in the trenches experiencing the nightmare as it happens. Its the best show wartime action since Saving Private Ryan. I'm not going to lie, I came here for good war action sequences and was very impressed with what I saw. 

Here's a film with a few many characters and honestly they are developed decently. This is Doss' story through and through but you love the connections with the people in his unit and how they all come around on him. Doss is a hero in its finest form. Its wonderful to witness his bravery and courage through a wonderfully shot, gripping, war epic. Mel Gibson hits the mark yet again.

8/10

Monday, January 16, 2017

Moonlight (2016)


Moonlight

Oscar buzz is always something that garners excitement. I'm always enthralled to see a critically acclaimed award worthy film to see what the hype is about myself. Moonlight is a film about a man named Chiron. He is a gay black male growing up around bullying, hate, and an uncaring and unresponsive mother. Chiron's life is told in three phases: as a little boy, as a teenager in high school, and as an adult. Three actors portray Chiron and all of them are impressive. The subject matter is heavy and delivered with an unhinged feeling of reality.

Young Chiron has to deal with a mother who is inattentive and is addicted to drugs. He seeks help and comfort from a caring couple played by Mahershala Ali and Janelle Monae. The second segment is probably the toughest to watch as teenage Chiron in his quiet and withdrawn nature has to deal with his first experience of homosexuality and all that comes with it. What comes with it? Bullying, which is intense. He gets picked on and suffers emotional and physical abuse. This causes him to snap and violently attack his bully which leads to his arrest. The third segment, Chiron is an adult and a drug dealer, however this is the most satisfying segment as Chiron gets closure on a lot of relationships and problems that previously plagued his life.

The cinematography in the film is excellent. There are times where the camerawork is personal, such as in the school fight. The camera takes a first person view in this instance, which allows you to be in the fight and experience the blows firsthand. This also happens a few times when portraying Chiron's drug addicted mother. The score is also fantastic at points and becomes touching towards the end. The film looks crisp and refined behind the lens of the still relative newcomer, Barry Jenkins.

The films authenticity makes it so powerful. Chiron could be any real disadvantaged kid growing up in a shady area filled with fighting and drugs. Chiron can't help that he was born into this ugly life, and no matter how hard he tries to get away from it, something pulls him in. In spite of his disadvantaged circumstances Chiron tries to find solace and inner peace with the problems and relationships in his life. It does not always have to be bleak, the past is the past the future is what you make of it.

The performances from just about everyone is great. There are a few newcomer performances all of which work very well. I especially liked Naomie Harris as Chiron's drug addicted mother. The final scene with adult Chiron and older Harris is tense but relieving. Overall, its a strong film by Barry Jenkins, one that is loaded with very beautiful scenes and some really harrowing moments. Its a very solid effort one that you will think about long after seeing the film. We could have a strong award season contender here.

7.5/10


Friday, December 9, 2016

The Neon Demon (2016)


The Neon Demon

I've already seen this twice and went to see it on opening day because I knew I would love it. Very pleased with the film. Right from the opening credits and the first shot of Elle, I was drawn in. Touches of Refn everywhere. As usual the soundtrack and film score are ace. The lights and color in the film are so in your face, absolutely gorgeous to watch. As expected, characters and plot depth is sacrificed for the atmosphere that is set in the film. It really works though. Characters are meant to be shallow, they are pretty models in a cutthroat environment of the fashion/modeling industry. Its a survival of the fittest environment, where the new cat comes along and threatens the survival of the more seasoned models, with her simplistic beauty and innocence that everyone just fawns over. I got some real Black Swan vibes from the general plot and grim nature underneath something meant to be pretty. In this world of "beauty" there is some serious visceral horror. Love how the seediness of Los Angeles is captured, as exemplified by the dull sleazy looking motel. I'm not sure everyone will love it. I can see many people disliking it. There were some shock horror bits I could have done without that I feel got included for the sake of the shock value. I can't complain much about it though because it fits right in the psychotic realm of the film.

Could the characters have used more development? Yes. I think it would change the experience though. Also it would spoil what the film leads towards. First half of the film is just visually beautiful and alluring. The next half I'd say the horror of it really kicks in and everything comes at you fast. Overall, as far as Refn films go I'd say Drive is still his best (and will be hard to top) but TND was for me much better than the others I've seen.