The Love Witch
Anna Biller calls back to the 60’s with films of the Technicolor era. You won’t even realize that this film was made last year. Everything from the camera techniques, picture quality, costume design, background music, and even the acting make you feel like you are watching a B grade campy, erotic, horror film. If you pay close attention though, you will realize the film is actually set today. Its a fantastic presentation of an earlier era. The shots are full of color, almost Argento-esque and its an absolute joy to look at. All the technical aspects of the film are really a giant reason as to why this film should be seen.
Samantha Robinson is gorgeously convincing as a flirty modern day witch. She is alluring to look at all the way through. She’s a sexy character but in control of her own destiny. She controls the men she hooks up with. This is actually a strongly feminist piece, despite the film involving stripping, scantily clad appealing women. Sometimes the themes are a bit too overt and on the nose but it’s not really a problem (mostly because I’m obsessed with the visual beauty of the film and was distracted by it).
The film clocks in at 2 hours and the film feels like its length. The first hour is great. I’d say around the time Elaine meets the detective and goes to the renaissance fair we get a bit of fluff and padding story-wise. It’s not too big of a problem although the film is very aesthetic so I don’t think the film will be for everyone. However, if you are a film lover like me I think you will appreciate the sexy look of erotic B-movie madness on display.
7.5/10
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